The Client - Il Cliente 1994 iTA ENG AC3 SUB iTA ENG BluRay 1080p x264 jeddak-MIRCrew

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The Client - Il Cliente 1994 iTA ENG AC3 SUB iTA ENG BluRay 1080p x264 jeddak-MIRCrew
  • Release date: 20 Jul 1994
  • Release year: 1994
  • Runtime: 119 minutes
  • Country: United States
  • Budget: $45,000,000
Plot:
Mark Sway is an 11-year-old boy who lives with his mother and brother in a trailer. One day, he and his brother are hanging out when a car pulls over beside them. The driver then sticks a hose in his exhaust and puts the other end into the car. Mark pulls it out. But the man sees him and grabs him and takes inside the car. The man talks to Mark then later shoots himself. The shock sends Mark's brother into a catatonic state. .And one of his clients is a member of a mob family who is suspected of killing a Senator who was trying to take down his family. But because the Senator's body is missing, they can't prosecute him. Roy Foltrigg (Tommy Lee Jones) thinks the lawyer told Mark where the body is which is why he wants to speak to him. Mark goes to meet Roy and when he threatens him, Mark steps out then Reggie comes in with a recording of his conversation with Mark telling him that made several violations. In the meantime, the mobster is told by the head of the family to take care of Mark. So, he threatens Mark. Mark doesn't know what to do and learns that Reggie has some secrets of her own and is uncertain if he can trust her.

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The Client - Il Cliente 1994 iTA ENG AC3 SUB iTA ENG BluRay 1080p x264 jeddak-MIRCrew

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Media Information

ⓘ Description Feb 27, 2026

General

Format: MKV
File Size: 2.53 GB
Duration: 02:00:00
Overall Bit Rate: 3 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 1080p
Resolution: 1920 x 800 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 2.5 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 2.39:1 Scope?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
2.39:1
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 8-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

8-bit — Standard color depth with 16.7 million colors.

Audio Streams

Audio Stream 1 DD 2.0 ITA
Channels: 2 channels?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DD 2.0 ENG
Channels: 2 channels?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 224 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.

Subtitles

ITA SRT Forced iTA FORCED - SRT
ITA PGS Forced iTA FORCED - PGS
ITA PGS iTA NON UDENTI - PGS
ENG PGS ENG NON UDENTI - PGS